Julie Ouellet

forêt affleure
Nov. 10, 2022 to Dec. 24, 2022

Opening on November 10, 5 to 8 p.m.
Facebook Event

MEET THE ARTIST December 3, 1-4 p.m.

In this exhibition, Julie Ouellet deals for one final time with the Carillon Island forest that has enthralled her and been the true backdrop for her work for a number of years. That subject had as its starting point her discovery, in 2015, of an abandoned barn in the woods from which could be glimpsed the surrounding countryside. Ouellet’s eye picked up on the changing of that landscape with the passage of the seasons and, little by little, the scenes she gazed upon time and again crystallized in her memory. She now has a virtually infinite palette: after having grasped and painstakingly examined her motif, the artist has been able to render it in all its subtle nuances.

Here Julie Ouellet returns to painting, using media such as oil and encaustic (pigmented and heated beeswax), media she had gradually forsaken in favour of graphite and ink. Gesture (and, implicitly, hand) is still very much in evidence, as is line, in all their forms.

This new body of work manifests a tension within the artist’s touch. Moreover, some of the pieces on view have never been so assertive, contrary to those in older series such as Écriture du temps and Par de là la contrainte; others, like Ma forêt à peine visible, exalt delicate, barely pressed-upon lines as fine as a spider’s web placed on paper.

Among the works in the exhibition we see a group of drawings reminiscent of one created in situ during the artist’s recent mid-career retrospective held at 1700 LA POSTE (April to July 2021). That temporary installation, made up of wires and tree twigs, endures through this new series.

Julie Ouellet’s work has taken on a performative dimension, for it largely results from a decisive moment—one sometimes even similar to a trance that, as she says, is “impossible to reproduce.” The time of the art making is therefore critically important. Far from planning her compositions or even visualizing the final rendering beforehand, the artist creates, puts together and builds her work, step by step, in the present moment, gripped by an excitement, a surge within her of definite momentum she cannot stifle. Simply beholding the canvas Sans retour one shot, for example, is enough to understand what is at play in her approach.

Mention should also be made of the technique of “grattage,” or scraping, that is increasingly prevalent in her process. The artist first maps out her composition, most often with graphite, and then goes about lifting the paper in places, as such grattage can sometimes be very dense. The drawing therefore seems to emerge from the support itself in an extremely strong image that is not without a certain poetry.

The artist’s approach is also grounded in the felicitous paradox of the complexity obtained through the accumulation of lines and the unusual directions they take. Such tracery culminates in an internal logic intrinsic to the work. In fact, it is possible to see in that desire for coherence a simplification of what constitutes the very act of “drawing.” The practice of blind contour drawing, an exercise that Ouellet, in search of accident, engages in frequently, plays a key role in her artistic experiments. It allows her to free herself of the constraints related to the more “academic” technique of drawing from life in which one usually endeavours to render the observed subject in a faithful manner.

Spotlighting the variety of techniques and supports she uses, "forêt affleure" provides a condensed look at Julie Ouellet’s pictorial explorations. Through it we enter a space that, in the artist’s words, wavers “between the heft of a painting and the fragility of a drawing.”   

— Text by Nora Saïeb, assistant at Galerie Simon Blais

Work shown: "Écorce", 2022, ink, graphite and scraping on paper, 20,3 x 20,3 cm (8 x 8 in)

Works related to this exhibition

Julie Ouellet

Tout ne tient qu'à un fil - retenir l'éphémère 3

Ink and scraping on paper
2021
19 x 29 cm (7,5 x 11,5 po)

● not available

Julie Ouellet

à force, de contre-gestes 2

Acrylic, wax, charcoal and graphite on masonite
2022
183 x 91,5 cm (72 x 36 po)

● not available

Julie Ouellet

Éclats 2

Acrylic and wax on masonite
2022
193 x 122 cm (76 x 48 po)

● not available

Julie Ouellet

sur les traces de l'aveugle 1

Acrylic and oil on canvas
2022
35,5 x 40,5 cm (14 x 16 po)
$ 1500.00 CAD not framed

Julie Ouellet

Dernières traces 1 - faire sans savoir

Oil ink on mylar
2020
25 x 33 cm (9,85 x 13 po)

● not available

Julie Ouellet

L'étang avant "L'étang"

Graphite and scraping on paper
2022
63,5 x 147,5 cm (25 x 58 po)

● not available

Julie Ouellet

Tout ne tient qu'à un fil - retenir l'éphémère 2

Ink and scraping on paper
2021
19 x 29 cm (7,5 x 11,5 po)
$ 1100.00 CAD framed

Julie Ouellet

Dernières traces 6 - avec la main "tirer" une image

Acrylic and encaustic on paper
2022
28,5 x 39 cm (11,25 x 15,25 po)

● not available

Julie Ouellet

Dernières traces 7 - pour me rappeler cette force sauvage 2

Acrylic and oil on wood
2022
28 x 35,5 cm (11 x 14 po)
$ 1300.00 CAD not framed

Julie Ouellet

Éclats 3

Acrylic and wax on masonite
2022
193 x 122 cm (76 x 48 po)

● not available

Julie Ouellet

Tout ne tient qu'à un fil - retenir l'éphémère 1

Ink and scraping on paper
2021
19 x 29 cm (7,5 x 11,5 po)

● not available

Julie Ouellet

Ma forêt "à peine" visible 1

Ink on paper
2021
38 x 56 cm (15 x 22 po)
$ 1800.00 CAD framed

Julie Ouellet

Tout ne tient qu'à un fil - retenir l'éphémère 4

Ink and scraping on paper
2021
19 x 29 cm (7,5 x 11,5 po)

● not available

Julie Ouellet

goutte à goutte

Acrylic and wax on masonite
2022
56 x 76 cm (22 x 30 po)

● not available

Julie Ouellet

Éclats 1

Acrylic and wax on masonite
2022
193 x 122 cm (76 x 48 po)

● not available

Julie Ouellet

sur les traces de l'aveugle 3

Acrylic and oil on masonite
2022
91,5 x 91,5 cm (36 x 36 po)
$ 3600.00 CAD not framed

Julie Ouellet

Ma forêt "à peine" visible 2

Ink on paper
2021
38 x 56 cm (15 x 22 po)

● not available

Julie Ouellet

sans retour one shot

Acrylic and oil on masonite
2022
193 x 122 cm (76 x 48 po)

● not available

Julie Ouellet

Dernières traces 8 - pour me rappeler cette force sauvage 1

Acrylic and encaustic on wood
2022
43,2 x 61 cm (17 x 24 po)

● not available

Julie Ouellet

sur les traces de l'aveugle 2

Acrylic and oil on masonite
2022
56 x 56 cm (22 x 22 po)
$ 2200.00 CAD not framed

Julie Ouellet

à force, de contre-gestes 1

Acrylic, wax, charcoal and graphite on masonite
2022
183 x 91,5 cm (72 x 36 po)

● not available

Julie Ouellet

Écorce 1

Ink, graphite and scraping on paper
2022
20,3 x 20,3 cm (8 x 8 po)

● not available

Julie Ouellet

Ma forêt "à peine" visible 3

Ink on paper
2021
38 x 56 cm (15 x 22 po)
$ 1800.00 CAD framed

Julie Ouellet

Tout ne tient qu'à un fil - retenir l'éphémère 5

Ink and scraping on paper
2021
19 x 29 cm (7,5 x 11,5 po)
$ 1100.00 CAD framed

Julie Ouellet

Dernières traces 2 - faire sans savoir

Oil ink on paper
2020
29 x 38 cm (11,5 x 15 po)
$ 1300.00 CAD framed

Julie Ouellet

Écorce 2

Ink and scraping on paper
2021
56 x 76 cm (22 x 30 po)

● not available

Julie Ouellet

Dernières traces 3 - dans un effleurement

Ink on paper
2021
40,5 x 52 cm (16 x 20,5 po)

● not available

Julie Ouellet

Ma forêt "à peine" visible 4

Ink on paper
2021
38 x 56 cm (15 x 22 po)
$ 1800.00 CAD framed

Julie Ouellet

Dernières traces 5 - du bout de l'outil

Acrylic and encaustic on wood
2022
30,5 x 61 cm (12 x 24 po)
$ 1800.00 CAD not framed

Julie Ouellet

Dernières traces 4 - à petits coup, une double perspective

Ink on mylar
2022
21 x 46 cm (8,25 x 18 po)
$ 1400.00 CAD framed

Julie Ouellet

débordement

Acrylic and oil on masonite
2022
122 x 305 cm (48 x 120 po)
$ 9500.00 CAD not framed

Other exhibitions