Works by Joan Mitchell

Joan Mitchell

Untitled - À Guy

Watercolour, graphite and oil pastel on paper
1967-1969
17,8 x 11,3 cm (7 x 4,5 po)
Price available on request

Joan Mitchell

Sunflowers I

Lithograph on paper
1992
145 x 209 cm (57 x 82,5 po)
Price available on request

Joan Mitchell

Trees III

Lithograph on paper
1992
144 x 209 cm (56,69 x 82,28 in)
Price available on request

Joan Mitchell

Sunflowers V

Lithograph on paper
1992
144,78 x 104,14 cm (57 x 41 in)
Price available on request

Joan Mitchell

Flower I, Bedford Series

Lithograph on paper
1981
109 x 83 cm (43 x 32,75 po)
Price available on request

Joan Mitchell

Sides of a River II, Bedford Series

Lithograph on paper
1981
109 x 83 cm (43 x 32,75 po)
Price available on request

Joan Mitchell

Flower III, Bedford Series

Lithograph on paper
1981
108,2 x 82,6 cm (43 x 32,75 po)
Price available on request

Joan Mitchell

Flower II, Bedford Series

Lithograph on paper
1982
108,2 x 82,6 cm (42,5 x 32,5 po)
Price available on request

Joan Mitchell

Sunflowers I

Aquatint and etching on paper
1972
50 x 39,5 cm (19,75 x 15,5 po)
Price available on request

Joan Mitchell

Sunflowers IV

Etching on paper
1972
63 x 91 cm (24,75 x 35,75 po)
Price available on request

Joan Mitchell

One Cent Life

Lithograph on paper
1964
41 x 58 cm (16 x 23 po)
Price available on request

Joan Mitchell

Untitled

Lithograph on paper
1967
76,5 x 56 cm (30 x 22 po)
Price available on request

Joan Mitchell

Champs (or Fields)

Lithograph on paper
1990
150 x 100 cm (59 x 39,5 po)
Price available on request

Joan Mitchell

Field - Yellow

Lithograph on paper
1992
76,5 x 56 cm (30 x 22 po)
Price available on request

Joan Mitchell

Fields Series - Composition Grise IV

Lithograph on paper
1990
76 x 56 cm (30 x 22 po)
Price available on request

Joan Mitchell

Trees - Rouge

Lithograph on paper
1992
76,5 x 56 cm (30 x 22 po)
Price available on request

Joan Mitchell

Trees II - Black, Yellow and Blue

Lithograph on paper
1990
76 x 56 cm (30 x 22 po)
Price available on request

Joan Mitchell

Trees - Jaune

Lithograph on paper
1992
76 x 56 cm (30 x 22 po)
Price available on request

Joan Mitchell

Sunflowers VII

Aquatint and etching on paper
1972
91,5 x 63 cm (36 x 24 3/4 po)
Price available on request

Joan Mitchell

Sunflowers VI

Aquatint and etching on paper
1972
91 x 62,5 cm (35,75 x 24,5 po)
Price available on request

Joan Mitchell

Sunflowers V

Aquatint and etching on paper
1972
91,5 x 62,5 cm (36 x 24,5 po)
Price available on request

About the artist

Joan Mitchell

Joan Mitchell

Joan Mitchell (1925-1992) was an abstract artist whose prolific career spanned more than four decades. She worked in a variety of mediums—including oil on canvas, pastel on paper, and lithographic printing—and is widely recognized as one of the most significant artists of the post-war era.

Born in Chicago on February 12, 1925, Mitchell attended the School of the Art Institute of Chicago. Upon graduating in 1947, she was awarded a travel fellowship that took her to France for a year, where her paintings became increasingly abstract. Returning to the United States in 1949, Mitchell settled in New York and became an active participant in the “New York School” of painters and poets. She exhibited in the famous “9th Street Show” in 1951, and soon established a reputation as one of the leading young Abstract Expressionist painters. In 1955, Mitchell began dividing her time between New York and France, and in 1959 she settled permanently in France, living and working in Paris. In 1968, she moved to Vétheuil, a small town northwest of Paris, where she worked continuously until her death in 1992.

Over her long and prolific career, the defining elements of Mitchell’s world—water, trees, dogs, poetry, music—created images and memories from which she worked. She once said, "I paint from remembered landscapes that I carry with me—and remembered feelings of them, which of course become transformed. I could certainly never mirror nature. I would like more to paint what it leaves me with." She observed her landscape intensely, and her acute visual observations of form, space, and color in life were part of the visual memories she drew upon while painting.

(Joan Mitchell Foundation)

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